Well-known journalist Annabelle Carlyle is stunned by the personal twist of her latest assignment: her best friend Vanessa is missing. Annabelle goes undercover in the Old South to search for answers. Full of thick accents and a way of life rooted in the past, Charleston is as foreign and strange a place as any Annabelle’s visited. And before she finds a single clue, she runs into a sexy man she can’t shake.
Tall, dark and charming, Mark Dering is happy to show the gorgeous Yankee his hometown. He’s captivated by the quick witted, quick tempered redhead. But when they’re shot at, he realizes she’s far more than just another tourist. Soon they’re knee deep in a mystery that goes all the way back to the Civil War. For once Annabelle is in over her head. Desperate to find Vanessa, she reluctantly accepts Mark’s help. It isn’t long before romance blooms right alongside the magnolias.
The stakes grow higher when a body is discovered. Someone is willing to kill to keep a century old Confederate secret hidden. With her best friend missing and a killer on the loose, it’s the worst possible moment for Mark to try and unlock Annabelle’s heart. Or is love exactly what her life’s been missing?

Carolina Heat released yesterday, and author Christi Barth was kind enough to stop by for a chat today.

DE: Talk a little bit about the genesis of CAROLINA HEAT.
CB; I was on vacation with my husband in Charleston, walking down a cobblestone street lined with magnolias and oozing history. We stopped to look at listing headstones at a church. All of a sudden it hit me what a great setting the city would be for a novel. At the time I was on a romantic suspense kick, so I decided to write one (as with most things, the idea was far simpler than the actualization). Given the rich history of the area, I knew it had to tie in to the Civil War in some fashion. Ever since then, every time I go someplace on vacation, I’m struck by inspiration for a new book. I think soaking up the different atmosphere just kicks my brain into overdrive.

DE: Did you do a lot of onsite research? How did you get to know the city, if you didn’t already? How did you research any procedural elements?
CB: Complete lack of onsite research, except for my memories of a plantation tour we took and a long walk along the Battery. But the feel of the city stuck in my brain, so when I got home I started plotting. When I needed specifics, I consulted the Internet (and an old copy of an AAA guidebook!). I do my research as a problem unfolds. For example, I needed to poison somebody. From years of reading Agatha Christie, I knew there were plenty of garden plants that could be used, rather than going to the drugstore and trying to purchase poison in these security-conscious times. I fired up the Internet and hunted for botanical poisons. Have to say, it’s a little frightening how easy it would be to poison somebody (getting away with it – not so easy, however).

DE: Do you find that you work first from character or from plot?
CB; I usually start with a one sentence idea for a plot. Then I immediately worry how to stretch it into 95,000 words! I find I can’t plot very well until I have character names – I don’t have to know much about them, but I do get quite a bit of their personality from their names. After that, the plot and characterization roll out together.

DE: Is this book a stand-alone, or do you see more stories with Annabelle and Mark?
CB; This book is a stand alone. Originally I had a sequel in mind, but once I realized I couldn’t squeeze everything I wanted to say into a 60,000 word book, I beefed up the secondary characters and threw it all into one. Don’t discount seeing them pop up somebody in a brief visit, but you can consider them living happily ever after.

DE: How has your theatrical experience enhanced the writing? (As a fellow theatre professional, I’m always curious)!
CB; My 2nd book is set in a theatre, so my background enhanced that one quite a bit! Honestly, I have a well-developed flair for the dramatic, a strong belief in suspension of disbelief and an addiction to happily ever after. Those qualities were just as much in play with my performing as with my writing. My years of hearing ‘thank you, but no’ at auditions definitely thickened my skin to help me deal with rejections from agents and publishers. I do wish someone would give me a standing ovation when they finish reading Carolina Heat, but I think I’ll get just as excited just by knowing people are purchasing it. I hope, just like a musical, when you spend a few hours with my book it is an enjoyable escape from everyday life.

Christi Barth spent years performing in musicals, singing about love and giving people a happy ending in every performance. Then as a wedding planner she spent every day immersed in romance. Now she writes it! After winning 1st place in the 2008 Heart to Heart contest, and 1st place in the 2009 Emily contest, she is thrilled to be able to share Carolina Heat with the world. She lives in Maryland with the absolutely best husband in the world (sorry ladies, its true!).

www.christibarth.com
http://wordwranglers.blogspot.com/

mail

My good friend and trusted colleague, Colin Galbraith, has a completely unique novella out with Eternal Press called STELLA. It starts out as a straight-up political thriller and takes some fascinating twists and turns along the way. I’ve never read anything quite like it, and highly recommend it.

I interviewed Colin, curious about the origins of some of the twists and turns.

CG:Hi Devon and hello to all your readers! Its great to be on BIBLIO PARADISE again.

DE: The story takes a really fascinating turn from a straight-up political thriller into a supernatural political thriller with strong religious themes. How did that shift occur?

CG: Through the music of the album that inspired it. The original idea came to me through the album of the same name by the pop band, Yello. It involved a pure straight up Cold War theme with spies, mysterious characters in long coats hiding in East European shadows under a full moon. Yet when I began writing, I came to a point where my original idea for a twist at the end of the book wasn’t going to work. Through one of the songs I had a better idea—a paranormal idea—and thus I was moving in another direction.

Of course, at that point it meant not really knowing how it was all going to end up so I just had to trust my muse and go with it.

DE: How much plotting did you do before you started writing? Was there a point where you had to stop and go back to re-shape material because of where the rest of the story headed?

CG: Because I had the bulk of the plot already ingrained in my mind after 20 years of listening to the album, I didn’t have much plotting to do. The process all started with me writing down the main scenes to see how they would fit the general story line. Then I flushed out the rest of the plot by linking them all up and forming the whole thing into something that was appropriate to my original idea, and that would make a half decent book. It was by far the easiest book I’ve written.

DE: Did you do any research within particular mythologies or cultures as backdrop? If so, which ones?

CG: One of the main themes in the story involved three roses but I didn’t just want any rose, it had to be dark and mysterious. I had no idea there was such a thing as the Baccara—the black rose—until I started researching it. Other than that I just stuck to what I already knew as far as mythology was concerned. I don’t think I’ve delved too far into it, and where I have I mostly made it up. I got the confidence to do that from an interview I read by Michael Crichton. He said, “everyone knows that dinosaurs can’t be cloned from fossilized DNA, but if they could…”

I did most of my research around the locations where the action takes place in the book. I know Amsterdam very well having been there several times. The church, coffee shop, sex shop and the lanes etc. all exist and were easy to write about. Fes was a little harder as was San Francisco and New York City, so I had to rely on the Internet, books and people I knew who had been there. I’m not totally comfortable writing about places I hadn’t been to, but the plot and the characters dictated a wide variety of locations would be needed so I ran with it. Hopefully it came off, though maybe not as well as I probably think!

DE: Did you set out to write a novella, or did content dictate form? Do you feel we’re entering into a Renaissance for the novella format?

CG: The content more or less dictated the form. The first draft of the book was too short for anything and I wasn’t happy with it at all. The first re-write was far too long and crossed over from being a novella to being a novel, but it was far too strung out and boring—it lost all the tension and drama. The third re-write saw me cutting it right back to make it a tighter story, while making sure not to rush through it, although looking back I still feel it’s rushed in places. I’ve learnt a lot from that experience, above all to let it go now it’s out there.

I’ve written three full length novel stories now—one published, two not—and I greatly enjoy the challenge and the satisfaction from the novel. But the novella offers something quite different but equally as gratifying.

Ideas for stories come to me all the time. Sometimes they make great foundations for a novel, other times a poem, sometimes a short piece of fiction. STELLA was perfect for a novella length story and I still think that.

The thing I like about novellas is that they’re long enough to tell a complicated story, but short enough to be able to hold the entire thing in one’s mind and see everything in one go. I can’t “view” any of my novels in my head from start to finish, but I can with a novella, and that makes writing them that little bit easier to cope with if they are complicated and have several arcs.

DE: Do you find that it’s different marketing a cross-genre novella from a single-genre novel and how, or how not?

CG: I’ve never thought about it like that, although when people ask what STELLA is about I tend to veer toward the “spy story with a twist” line. Part of the reason is that I think people might be put off if they think it’s paranormal and partly because I don’t want to spoil the surprise if they should read it.

I think paranormal and any other form of genre fiction, whether it be crime or sci-fi or fantasy, suffer from the same prejudice in that it’s not seen as mainstream or “proper fiction” by the establishment. Crime fiction, for example, is huge in Scotland but is looked down upon by institutions like the Booker Prize. And there are plenty of writers who do both. Take Iain Banks, who writes outstanding books of literary fiction and is generally accepted as one of the top UK writers, yet he also writes as Iain M Banks and is one of the top sci-fi writers the UK has produced. Go figure!

DE: How do you feel this unique piece influenced the writing you’re doing now?

CG: The obvious answer is that it spawned a sequel, which I’m working on just now. I would never have had the idea for BACCARA BURNING if it hadn’t been for STELLA.

But the main thing is that showed me I shouldn’t write to be published, that I should write for me. STELLA was never meant to be published, it was a private project I always promised I would do one day, and to see it published before the other work I’ve been pitching around the globe is quite something. I’m very proud of STELLA because it was 20 years in the making and thus very close to my heart.

Thanks for such great questions and for having me here—it’s been great fun!

mail-1

Colin Galbraith has been publishing books, short stories, poems and non-fiction articles in print and online publications since 2004. He is a regular contributor to A-Listed, the News of the World’s Scottish music supplement, and is the Chief Editor of The Ranfurly Review.

Stella is his second book and was published by Eternal Press in June 2009.

His website can be found at: www.colingalbraith.co.uk

avengingangel

Interview with Kim Smith

I “met” Kim Smith in the fall of 2008. We were both presenters in the Muse Online Conference. I took her cozy workshop, hoping to get some inspiration and guidance. I wound up developing the Helena Francis mysteries, AND my friendship with Kim began. She’s warm, supportive, intelligent, and very, very funny. That intelligent and humor carries over into her writing.

DE: Can you tell us a bit about the evolution of the character Shannon Wallace?

KS: Sure! Shannon originally was supposed to be one of Dwayne’s girls who he was going to hire for his private detective agency, in the very earliest stages of creating the book. In fact, Dwayne was supposed to be the hero. HA! Funny how characters have a totally different opinion of themselves than you do!

DE: What are some of the freedoms in the mystery genre? The limitations?

KS: In mystery, you can kill people. You can stab ‘em, poison ‘em, and shoot ‘em any way you wish. Sure cannot do that (and remain unfettered!) in real life! Gosh, think of it… the freedom to do away with your worst enemy, (on paper of course!) how free-ing is that?? Now the limitations on the other hand, they are many. You can’t not research. There are too many CSI fans out there. They will hand you your head over that forensic stuff. And also, there are the fine weaving of many threads with plot and subplot that must be accounted for. Can’t leave anything hanging!

DE: Have you created a series bible for the whole series, or do you plan to see how it evolves book by book?

KS: I had planned on writing the Angel series until I was old and tired, but here of late, I realize that readers can only stomach so much zany-ness in their reading. So, I have left off thinking that and decided to let the readers decide. If they hunger and thirst for more Shannon stories, I will keep them happy. If they quit reading, quit buying, and begin berating me for being so droll, I will end the series and be thrilled that it lived as long as it did. And the books evolve on their own. I do not plot or plan too much.

DE: We hear so much about Katie in AVENGING ANGEL. Do we get to meet her in future books?

KS: Yes! Book three, lovingly titled, Crooked Angel, will have a bunch of Katie ☺ scenes and some of the minor characters come back around in book two(Buried Angel due to release in December 2009) also, including Yoshi, the Neighbor.

DE: Can you tell us a bit about the next Shannon Wallace mystery?

KS: I will! I have subbed and been accepted for Buried Angel, book two in the series. It is all about Dwayne and his troubles this time. A quick blurb would be : “Shannon and Dwayne spend time in the local cemetery, but turn up a whole lot more than daisies”.

AWIllToLove200X300

I also want to congratulate and celebrate Kim’s release TODAY of her newest book, A WILL TO LOVE, also from Red Rose Press. Here’s a preview:

Benton Jessup wants his bed and breakfast to be successful. He will go to no lengths to insure that it does.

But when Kitty Beebe, a famous romance author, arrives at The Inn, his desire for success becomes a struggle of wills with love.

I have every intention of buying this book today, so you can bet that Kim will be back to talk about it soon!

Thanks for taking the time to talk to us, Kim, and happy release day!

BIO:
Kim has been writing since the late 1990’s after her husband bought their first computer and sat her down in front of her thereby ending her excuses as to why she couldn’t get published. Today she is the author of the popular Shannon Wallace Mystery series and several short romances.

LINKS:
You can find Kim at:
http://www.mkimsmith.com
http://www.myspace.com/mkimsmith
http://www.twitter.com/mkimsmith
and her blogs:
http://writingspace.blogspot.com
http://visionaryphotos.blogspot.com
http://bookmadness.wordpress.com
http://murderby4.blogspot.com
and you can buy her books at Red Rose Publishing:
BUY LINKS:
Avenging Angel, Book One of the Shannon Wallace Mysteries

A Will to Love (romance novelette)

avengingangel

Avenging Angel by Kim Smith

Shannon Wallace thought she had it all — a great boyfriend and a great job. But her boyfriend — who happens to be her boss — dumps her. To soothe her wounds, she joins her best friend Dwayne for a drunken night at the casino, winds up at her ex’s apartment, determined to get her CDs back, and passes out.

The next morning, he’s discovered murdered.

Oops.

But did Shannon do it? And if she did, why is someone stalking her? And then there’s her luscious college crush, Sal, who’s now the investigating detective.

Kim Smith’s first Shannon Wallace mystery is a witty, fun Memphis romp. Shannon is the kind of woman any of us would love to have as a friend. She’s not perfect, but she’s smart, she’s tenacious, and she’s great at putting things together. If you want a terrific read, go buy this book and spend a few hours laughing and investigating with Shannon. I can’t wait for the next one!

BIO:
Kim has been writing since the late 1990’s after her husband bought their first computer and sat her down in front of her thereby ending her excuses as to why she couldn’t get published. Today she is the author of the popular Shannon Wallace Mystery series and several short romances.

LINKS:
You can find Kim at:
http://www.mkimsmith.com
http://www.myspace.com/mkimsmith
http://www.twitter.com/mkimsmith
and her blogs:
http://writingspace.blogspot.com
http://visionaryphotos.blogspot.com
http://bookmadness.wordpress.com
http://murderby4.blogspot.com
and you can buy her books at Red Rose Publishing:
BUY LINKS:
Avenging Angel, Book One of the Shannon Wallace Mysteries

Come back tomorrow and read my interview with Kim!

Cover-Front-Final.ItalTour

Jo Linsdell’s written a terrific book called ITALIAN FOR TOURISTS, which takes a far more common-sense approach to the language than most of the books on the market. It’s the kind of book that makes you feel confident when travelling to a country without knowing the language.

It’s written in a warm, personal style, which reflects Jo’s personality — always around to give someone a helping hand.

I was curious about her journey to a life in Italy, which led her to the journey of this book. So, of course, I asked her about it.

DE: You mention in the book that you came to Italy for 3 days and decided to stay. How did you navigate that transition? Did you stay longer than 3 days initially and return home to wind things up? So many people imagine falling in love with a place and staying, but I don’t think too many people actually know how it’s done. Would you share some of that process with us?

JL: Crazy but true. I’d originally planned to travel around Europe for a couple of months, giving myself 3 days in Rome before moving on to Greece. That all changed when I had my money stolen in Paris. On my 3rd day in Rome, I got a job working at reception in a hostel near the main station. They gave me little pay but I also got a bed too, which was the most important thing at the time. I figured I’d work there for a few weeks to get together enough money to take me to Greece.

Weeks turned into months and finally after 6 months here I decided it was time to go back to England and get more of my stuff.

I’d quite my job as a credit controller in the UK before leaving and left my rented accommodation. My belongings were all in storage in my parents garage so I had no need to hurry back.
Technically if you plan to stay for over 14 days in Italy, you should apply for a ‘Permesso di Soggiorno’ (permission to stay) at the local police station. For members of the European Union, it’s a simple process that takes just a few days. For non-Europeans this usually takes a little longer.

If you plan to work legally in Italy you need to have a ‘codice fiscale’ (tax code). Again, this is a simple process.
In general, documents in Italy require filling out several forms, photocopies of your passport and a few passport style photos attached. You will have to go back to collect the documents yourself.
Although sorting out all the documents can be frustrating and time consuming, the hardest part of moving here is finding an apartment. If you have enough money it’s best to use an agency. If not, you need to check ‘Porta Portese’, a weekly announcement newspaper, for listings and basically ask everyone you know if they know of anywhere available.

DE: How long did it take you to feel comfortable speaking Italian?

JL: I didn’t have ‘Italian for Tourists’ and so looked up each word in the English-Italian dictionary at the hostel. I was comfortable doing food shopping after a few weeks. For months when people asked my how I was, I was either ok, good or tired.

I started learning more when I met my husband. He couldn’t speak English and so I’d look up phrases and words so I could talk to him. Love is a great motivator!

I starting working in an office writing a multi-lingual book for the dental industry around the same time, and so learnt lots of new words there too.
The first time I realized I was comfortable with the language was after I’d been here about 8 months. I was crossing the road at a zebra crossing and a woman on a ‘motorino’ sped towards me and nearly ran me over. We ended up yelling at each other, and I won the argument. Being able to stand up for myself and tell her she was the one in the wrong made me realize I had control over the language and built my confidence, which in turn made it easier to learn more words.

The thing that holds people back when speaking a different language isn’t the language itself but the lack of confidence in using it.

DE: Did you find it easier to speak Italian, initially, or read it?

JL: Speaking was easier, as I learnt mainly by ear in the beginning. The great thing about Italian, though, is that it’s said as it’s written, so once you’ve mastered how to pronounce the alphabet it’s quite straight forward.

DE: Do you find now, that you’ve lived in Italy for 7 years, that you think in both languages? Or primarily in Italian? Do you switch back and forth constantly? Do you still think in one language and then translate to yourself? Are you living bi-lingually, or primarily in Italian now?

JL: I think and speak mainly in Italian although I’ve started to speak English at home so my son learns it as a mother tongue language along with Italian. I think in the language I’m speaking in and don’t tend to translate anymore.

When my English-speaking friends come to visit, I switch between the two languages.

DE: How do you feel being multi-lingual helps in your work as a writer? Do you find more shades of meaning in languages other than English, and how do you find it affects your writing?

JL: It makes me think more about the words I use. I’m more aware of grammar now, too.
In English, the same word can have different meanings depending on the context in which it’s used. This is rare in Italian.

Italian is a very poetic and romantic language where even a simple sentence seems elegant.

DE: You’ve mentioned that you wrote the type of book you needed when you first tried to learn the language (and you did a great job, by the way). How did you develop the structure of this book? Did you write it linearly? In sections and then re-arrange them?

JL: First I wrote a list of words and phrases to include and then broke them down into sections. I then re-arranged them into order putting the most important (emergency) and basics first.

DE: What are your tips for people who want to learn enough of a new language to get around a foreign country, but don’t have the chance to formally study enough to speak fluently before they travel?

JL: Buy my book! Ha-ha!

Learning the 7 question words, yes, no, please and thank you will help you lots. You can always point on a map and ask ‘Dove?’ to get directions. Good manners will always be welcome and appreciated.

DE: What other projects do you have on the horizon?

JL: I’m working on my first novel and also on a series of e-books called The Italian Home Study Series. I also plan to write a guide to Rome.

I always tend to have several projects on the go at once. This way if I get writers block on one I work on another for a while.

Linsdell

Bio:
Born in Gillingham, Kent (UK) in September 1980. Married name Joanne Denise Feliciani. Having passed 10 GCSE’s, went on to study Business Studies, History and Art A-Levels at Yateley 6th Form. Jo Linsdell left England and moved to Rome, Italy in June 2001, where she now lives with her Italian husband and their son.
She has had various jobs including working in hostels, being a tour guide and teaching English as a foreign language. She now works full-time as a freelance writer. She writes regularly for various websites, newspapers and magazines. She writes in both English and Italian.
She is also the creator and manager of the multi award winning site Writers and Authors and founder and organiser of PROMO DAY, an international online event for people in the writing industry.
Visit her at http://jolinsdell.tripod.com

Here’s a taste of what I read in February.

Don’t worry — blog tours, interviews, etc., to resume soon! ;)

WRITERS AT WORK FIFTH SERIES. Edited by George Plimpton.

KISS HOLLYWOOD GOODBYE . Anita Loos. Memoir, by turns interesting and frustrating. Good background for THE FIX IT GIRL. (Re-read)

HELL AND EARTH. Elizabeth Bear. Fascinating fantasy novel set in Shakespeare’s time and faerie. Some reservations about it, but, overall, fascinating.

2 Books for Confidential Job #1. It’s confidential, so I can’t discuss it here, but it was good!

DEATH OF A BORE. MC Beaton. Hamish Macbeth mystery. Interesting for character, setting, structure.

DIARY OF VIRGINIA WOOLF, VOL. II. Dipped into here and there for inspiration.

A NOBLE RADIANCE. Donna Leon. I love these mysteries, set in Venice. They always surprise me, they always make me hungry (so much great food and wine in them), they always are a joy.

THROUGH A GLASS DARKLY. Donna Leon. Ibid.

KITTY AND THE SILVER BULLET. Carrie Vaughn. This is the second Kitty book I’ve read. I like the character development. My only criticism in this book is that the character who is the “betrayer” is not close enough to the readers for us to feel the full impact of the betrayal. The character is too peripheral in the overall story, and one figures who it is, because of the character’s placement, but never why.

DEATH OF A MAID. M.C. Beaton. Another Hamish Macbeth mystery. I find it interesting where Beaton chooses to stay within the confines of genre, and where Beaton chooses to break those confines.

I think I read some other books this month, too, but I can’t remember them.

I’m a little surprised by how little I read over the month; I’m also surprised at how much non-fiction I read this month. Usually, I keep it quite balanced.

Here’s the list:

John Cheever’s Journals. Beautifully written, and, while I continue to admire him as a stylist, I am glad I never had to deal with him in life.

MAKING MONEY By Terry Pratchett. Brilliant, delightful, frighteningly relevant social satire about the banking industry.

A BOOK OF ONE’S OWN by Thomas Mallon. A wonderful book about people and their diaries; I re-read this about once a year.

Book for Confidential Job #1. Since it’s confidential, I can’t discuss it. But it was good. ;)

PAGES FROM THE GONCOURT JOURNALS. I read about 50 pages and then put it back on the shelf. Their loathing and disrespect for women is sickening. While I might need to refer to it in the future if I ever set anything in Paris during this time period, it made me angry and I stopped reading.

A RING OF CONSIPIRATORS: HENRY JAMES AND HIS LITERARY CIRCLE by Miranda Seymour. Interesting literary and social history of James’s years in Rye, England. It’s a book to be dipped into, not read through solidly, so it is unfinished, but enjoyed.

THE NEW DIARY. Tristine Rainer. Interesting take on techniques to go deeper with one’s personal journal writing. This was a re-read, and I found some of the assumptions and points of view dated.

WRITERS AT WORK. Fifth Series. Edited by George Plimpton. Interviews with writers. Fascinating. Needs to be dipped into, not read all at once; therefore unfinished.

One of my favorite, favorite, favorite characters in all of fiction is Karina Fabian’s Dragon Eye PI tales.

Vern is a dragon working off a geas, and he’s got the smart, resourceful nun Grace by his side as he foils (in hilarious fashion) the bad guys.

The writing is crisp and clever, the plots and revelations surprising, and it’s just all-out fun.

Karina has a story for Christmas out, “Christmas Spirits”, available for only $1.50 here..

Visit the Dragon Eye PI site here.

I want to thank the authors who’ve stopped by over the past two weeks for sharing their books and their processes with us.

I met them through the group Infinite Worlds of Fantasy, and if you liked these authors, I hope you’ll continue to follow their work. Visit the Infinite Worlds of Fantasy web site for more information on these and many more terrific writers.

If you’re looking for a wonderful gift to give someone for the holidays, consider a book, be it a traditional print book or an e-book. In this economy and with worries about eco-friendly gifts, e-books are often less expensive than traditional print runs and eco-friendly.

Also, many of these writers have short stories available for free or for small fees. And many e-publishers offer gift certificates for the holidays.

Books make wonderful gifts because one can return to them over and over again, always finding something new and wonderful, and re-visiting favorite passages.

Give the gift of a WORLD this holiday!

Nikki tells us a bit about herself:

I’m Nikki Sinclaire. Just a year ago I was leading a quiet existence, minding my own business, when these characters started
escaping out of my brain demanding that I write their stories. I tried to explain to them that I am an IT professional and that math,
not writing ruled my life, but they would not listen, stubborn little suckers that they were! My heroes and heroines (featured in my five
novel Virtual series) were very persuasive and with my family’s encouragement, I began writing their stories. I was flabbergasted! Facing danger and destruction while navigating the rough waters of relationships my characters exist with a zeal and passion for living which sparked a renewed enthusiasm and ardor in my own life!

I have been married for 23 years to my best friend in the whole wide world. We consider our life our very own romance novel and the
inspiration for everything I write. We are the proud parents of two lean, mean, sex-life-obliteration machines, err, I mean two
wonderful boys ages 19 and 11. Yes, testosterone does overflow in our
household! We make our home in Georgia, where I am Research Faculty at a major university.

virtual-mansinclaire

DE: What inspired you to create The Virtual Reality Series?

NS: When I started writing the first book, The Virtual Man, it was going to be a single book. As I developed the econdary characters, though, I found that some of them merited their own story. The trip to the Omicron quadrant described in The Virtual Man forever changed the lives of everyone on-board. Through the five books, we find out how and experience their individual adventures with them.

Having said that, to more directly address the question, I wanted to show that regardless of the century and regardless of the level of
technology that humans might some day attain, it is our emotions, our dreams and our need to be loved and to love that will still drive us. The futuristic 25th century setting of the book series is just that, a setting. The books are really about people, their relationships and their quest to fit in and become a part of something bigger than
themselves.

DE: What sort of research did you do for this type of world, and are there any interesting, unexpected tidbits you learned that you’d like to share with us?

NS: The planet Arcadia 10 was created strictly from my imagination, but,
since the heroine, Tiana, was severely wounded, and the hero, Derek, had to come up with food, medicines, soap and even a comb for her hair, I researched the medicinal, nutritional and other properties of plants and minerals found in the wild here on Earth, then adapted them to the differences of Arcadia 10 in order to project our reality upon an imaginary planet.

For The Virtual Virgin, the hero was trained as a Shadow Priest on the planet Exeter, giving him almost supernatural perceptions and abilities, particularly in the art of self-defence. My source for all the martial art bits in the book was my 19 year old son. He can kick butt if he chooses to!!!

DE: THE VIRTUAL MAN and THE VIRTUAL VIRGIN have different pairs of
protagonists. Do you envision any of your characters crossing from book to book, i.e., protagonists from one book becoming secondary characters in another, a secondary character becoming a protagonist, or just having some characters make cameos in some of the books?

NS: Absolutely. That’s part of the fun in reading all five books. The
Terrilians, a “super-race” descended from humans play an important part in all five of the books. In addition, the hateful Colonel Katia
Reginald of the Terrilian Armada makes enemies throughout the series and is not dealt with until the last book in the series … that’s
all I’ll say about that. Don’t want to give it all away. The last book will also contain somewhat of an epilogue that will reunite many of the characters from the series, allowing the reader to learn more about how each one fared.

DE: What is the most rewarding element of world-building for you?

NS: The fact that I have complete control. I can create worlds with more than one sun and no moon such as Arcadia 10, ice planets, luxury starships that cruise the universe and develop technologies that are currently in their infant stages such as nano-technology, skin regeneration, etc. In my 25th century universe we also find an
existence full of hope where cancer is as lame a disease as having the sniffles, where crippling wounds can be healed in a matter of
seconds and where nano-robots construct gargantuan space stations.

DE: Do you have any rituals or rewards you use to push yourself along on days when the writing is difficult?

NS: I’m afraid not. I’m tough on myself. There are times when I’ll
force myself to stare at my computer screen for hours without being able to write more than just a few words, and then, something clicks and in a few minutes I’ll write several chapters. Discipline and persistence are what works for me.

For more information on Nikki’s work, visit these sites:

Author’s web page: www.nikkisinclaire.com

Link to purchase the book at publisher’s page.

Link to “The Never Ending Story” to which I am on the team of
contributors: http://judahraine.blogspot.com/2008_12_01_archive.html

Blog: http://nikkisinclaire.blogspot.com/

Next Page »